Now, BBQ is a big topic! Once you get over the Anglo-Saxon obsession with cooking cheap and nasty bangers and burgers on what is possibly the best cooking method – grilling over lump-wood charcoal. The three letter word starts to become more useful. In Portugal, churrasco or grelhados ao carvão is often synonym with extremely fresh food, simply seasoned and cooked to perfection.The terminology is itself ambiguous and the words “assar” and “grelhar” are used interchangeably depending on the ingredients (e.g. sardinhas assadas, peixe grelhado)! Let’s keep it ambiguous!
Tips
Keep the flame under control – make a small hole on the lid of a small plastic bottle to use as direct water jet to blow out flames. A little water directly on the charcoal controls the flame and avoids water on the food.
“the Western man makes a big fire and sits far away, the African man makes a small fire and sits close by” (thanks for the wisdom quote Stephen).
Use little charcoal at a time and keep the grid low. This avoids fatty foods generating mad flames. Sardines, for example are grilled on a grid right on the charcoal.
Essentials
Abanador (straw fan)
Lumpwood charcoal (no brickets, no gas)
Sardines grilling on charcoal
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Pedro Rebelo
Pedro is a composer, sound artist and performer. In 2002, he was awarded a PhD by the University of Edinburgh where he conducted research in both music and architecture.
Pedro has recently led participatory projects involving communities in Belfast, favelas in Maré, Rio de Janeiro, travelling communities in Portugal and a slum town in Mozambique. This work has resulted in sound art exhibitions at venues such as the Metropolitan Arts Centre, Belfast, Centro Cultural Português Maputo, Espaço Ecco in Brasilia and Parque Lage and Museu da Maré in Rio, Museu Nacional Grão Vasco and MAC Nitéroi. His music has been presented in venues such as the Melbourne Recital Hall, National Concert Hall Dublin, Queen Elizabeth Hall, Ars Electronica, Casa da Música, and in events such as Weimarer Frühjahrstage fur zeitgenössische Musik, Wien Modern Festival, Cynetart and Música Viva. His work as a pianist and improvisor has been released by Creative Source Recordings and he has collaborated with musicians such as Chris Brown, Mark Applebaum, Carlos Zingaro, Evan Parker and Pauline Oliveros as well as artists such as Suzanne Lacy.
His writings reflect his approach to design and creative practice in a wider understanding of contemporary culture and emerging technologies. Pedro has been Visiting Professor at Stanford University (2007), senior visiting professor at UFRJ, Brazil (2014) and Collaborating Researcher at INEM-md Universidade Nova, Lisboa (2016). He has been Music Chair for international conferences such as ICMC 2008, SMC 2009, ISMIR 2012 and has been invited keynote speaker at ANPPOM 2017, ISEA 2017, CCMMR 2016 and EMS 2013. At Queen's University Belfast, he has held posts as Director of Education, Director of Research and Head of School. In 2012 he was appointed Professor of Sonic Arts at Queen's and awarded the Northern Bank's "Building Tomorrow's Belfast" prize. He has recently been awarded two major grants from the Arts and Humanities Research Council including the interdisciplinary project “Sounding Conflict”, investigating relationships between sound, music and conflict situations. Ongoing research interests include immersive sound design and augmented listening experiences. Pedro has been appointed Director of the Sonic Arts Research Centre in 2021.
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This is a really good tip particularly to those fresh to the blogosphere.
Simple but very accurate info… Thanks for sharing this one.
A must read article!
This is a really good tip particularly to those fresh to the blogosphere.
Simple but very accurate info… Thanks for sharing this one.
A must read article!