Grilled Sea Bream with roast red pepper butter/Dourada grelhada com molho de manteiga e pimentos
Whole fish grilled over charcoal is a central focus for the 900 km of Portuguese coast. Simply prepared, seasoned with sea salt and grilled to perfection, one hardly needs anything other than a cold bottle of vinho verde! This recipe prepares the fish by opening it across the middle to allow for a larger grilled surface, hence maximising the charcoal flavour. This way of preparing fish makes it easier to grill just the right amount. As your dealing with a relatively thin piece of fish there is no danger of having a burnt skin and a raw middle! This also makes it easier to negotiate your way through the bones as they become more visible with the fish open in half.
Sea bass and other fish can be prepared in exactly the same way.
1 small-medium bream per person
Course sea salt
1. Start by lighting the bbq then prepare the fish for grilling. Assuming the fish is gutted, place it on a chopping board belly up and cut along the belly opening through the head and alongside one side of the bone all the way to the tail. With your hands flatten the fish until it stays open. Rinse in cold water, tap dry and salt generously on both sides.
2. To make the butter sauce, mix the butter and lemon juice and stir until you get a nice emulsified texture. Add coriander, roast red pepper and the lemon rind.
3. Grill the fish for about 7-9 minutes per side carefully checking that you get a nice char grilled finish without burning.
4. Serve with the butter sauce accompanied by boiled baby potatoes and vegetables or green salad.
Pedro is a composer, sound artist and performer. In 2002, he was awarded a PhD by the University of Edinburgh where he conducted research in both music and architecture.
Pedro has recently led participatory projects involving communities in Belfast, favelas in Maré, Rio de Janeiro, travelling communities in Portugal and a slum town in Mozambique. This work has resulted in sound art exhibitions at venues such as the Metropolitan Arts Centre, Belfast, Centro Cultural Português Maputo, Espaço Ecco in Brasilia and Parque Lage and Museu da Maré in Rio, Museu Nacional Grão Vasco and MAC Nitéroi. His music has been presented in venues such as the Melbourne Recital Hall, National Concert Hall Dublin, Queen Elizabeth Hall, Ars Electronica, Casa da Música, and in events such as Weimarer Frühjahrstage fur zeitgenössische Musik, Wien Modern Festival, Cynetart and Música Viva. His work as a pianist and improvisor has been released by Creative Source Recordings and he has collaborated with musicians such as Chris Brown, Mark Applebaum, Carlos Zingaro, Evan Parker and Pauline Oliveros as well as artists such as Suzanne Lacy.
His writings reflect his approach to design and creative practice in a wider understanding of contemporary culture and emerging technologies. Pedro has been Visiting Professor at Stanford University (2007), senior visiting professor at UFRJ, Brazil (2014) and Collaborating Researcher at INEM-md Universidade Nova, Lisboa (2016). He has been Music Chair for international conferences such as ICMC 2008, SMC 2009, ISMIR 2012 and has been invited keynote speaker at ANPPOM 2017, ISEA 2017, CCMMR 2016 and EMS 2013. At Queen's University Belfast, he has held posts as Director of Education, Director of Research and Head of School. In 2012 he was appointed Professor of Sonic Arts at Queen's and awarded the Northern Bank's "Building Tomorrow's Belfast" prize. He has recently been awarded two major grants from the Arts and Humanities Research Council including the interdisciplinary project “Sounding Conflict”, investigating relationships between sound, music and conflict situations. Ongoing research interests include immersive sound design and augmented listening experiences. Pedro has been appointed Director of the Sonic Arts Research Centre in 2021.
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